My work is grounded in the spiritual and artistic traditions of Islamic calligraphy. Every stroke and curve connects to a centuries-old practice passed from master to student, heart to hand.
I specialize in Thulth, Naskh, and Riq’ah scripts, working with traditional materials like neem-rang, handmade wasli paper, natural pigments, and gold leaf. These methods aren’t just techniques, they’re meditative practices that quiet the mind and center the spirit.
Calligraphy as Spiritual Practice
For me, Islamic calligraphy is visual dhikr, an act of worship and reflection. Each piece becomes a space for peace and inner clarity. I design every composition with balance and intention, drawing on Islamic aesthetics: symmetry, geometry, and divine proportion.
But I don’t simply copy classical forms. I bring these ancient scripts into today’s world through contemporary color palettes, minimal compositions, and modern framing. The result is a conversation between tradition and now, honoring the past while speaking to the present.
Three Principles Guide My Work
Devotion
Precision
Emotion
Some Past Artwork
