Islamic Calligraphy
My calligraphy practice is grounded in reverence for the written form. I work with classical scripts including Thulth, Naskh, and Riq?ah, using traditional materials such as handmade wasli paper, natural pigments, neem-rang technique, and gold leaf.
Calligraphy as Spiritual Practice
For me, calligraphy is visual dhikr. Each stroke becomes an act of patience and remembrance, asking the hand, eye, and heart to move together. The work is designed to feel peaceful, balanced, and alive in the space where it is placed.
Devotion
Sacred text, proportion, and rhythm guide the composition.
Precision
Every curve, pause, and balance point is considered.
Emotion
The finished piece is meant to hold stillness and meaning.
Selected Works
